41 Class/Ornament: Cinema, new media, labor-power, and performativity. 40 Green Porno and the sex life of animals in the digital age.

38 Visualizing climate trauma: the cultural work of films anticipating the future. 36 Revolting aesthetics: feminist transnational cinema in the US. 35 Lesbian cinema post-feminism: ageism, difference, and desire. 34 Classical Hollywood and modernity: gender, style, aesthetics. 33 Gender and fandom: from spectators to social audiences. 32 Nollywood, female audience, and the negotiating of pleasure.

29 Embodying spectatorship: from phenomenology to sensation. 28 Psychoanalysis beyond the gaze: from celluloid to new media. Part IV Spectatorship, reception, projecting identities. 27 Film as activism and transformative praxis: Women Make Movies. 26 Female editors in studio-era Hollywood: rethinking feminist “frontiers” and the constraints of the archives. 25 What was “women’s work” in the silent film era?. 24 Fair and lovely: class, gender, and colorism in Bollywood song sequences. 23 Black women filmmakers: a brief history. 22 African “first films”: gendered authorship, identity, and discursive resistance. 21 Women, Islam, and cinema: gender politics and representation in Middle Eastern films and beyond. 20 Pink material: white womanhood and the colonial imaginary of world cinema authorship. 19 Feminist and non-Western interrogations of film authorship. 16 The documentary: female subjectivity and the problem of realism. 15 The postmodern story of the femme fatale. 14 Feminist porn: the politics of producing pleasure. 13 Slapstick comediennes in silent cinema: women’s laughter and the feminist politics of gender in motion. 12 Moving past the trauma: feminist criticism and transformations of the slasher genre. 11 The rise and fall of the girly film: from the woman’s picture to the new woman’s film, the chick flick, and the smart-chick film. 10 Contested masculinities: the action film, the war film, and the Western. 9 Queer or LGBTQ+: on the question of inclusivity in queer cinema studies. 8 Gender, socialism, and European film cultures. 7 Chinese socialist women’s cinema: an alternative feminist practice. 6 “No place for sissies”: gender, age, and disability in Hollywood. 5 Gender in transit: framing the cinema of migration. 3 Feminist forms of address: Mai Zetterling’s Loving Couples.

2 Postcolonial and transnational approaches to film and feminism. 1 Classical feminist film theory: then and (mostly) now.

Film Feminisms by Kristin Hole